"High And Dry" transcripted by: Allen Yeung intro from: L Guillemot second intro from: Andreas Jonsson 2 bars drums intro (repeat): C#/A B/A C#/A Asus2 E --4-4-4-4-4--2-2-2-2-2--4-4-4-4-4--0-0-0-0-0--0-0- --0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0- --6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--1-1- --6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--2-2- --0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--2-2- --x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--0-0- OR ||------------------0------------------0-0-0-0-0-0---|| ||------------------0------------------0-0-0-0-0-0---|| ||*--13-13-13-13\11-11---13-13-13-13\9-9-9-9-9-9-9--*|| ||*-------------------------------------------------*|| ||---11-11-11-11\9--9----11-11-11-11\7-7-7-7-7-7-7---|| ||-----------------------------------------0--0--0---|| B/F# A E E two jumps in a week i bet you think that's pretty clever don't you boy. B/F# A E E flying on your motorcycle. watching all the ground beneath you drop. B/F# A E E you'd kill yourself for recognition. kill yourself to never ever stop. B/F# A E E you broke another mirror. you're turning into something you are not. B/F# A E E don't lead me high, don't lead me dry, B/F# A E E don't lead me high, don't lead me dry. B/F# A E E B/F# A E E drying up in conversation you will be the one who cannot talk. B/F# A E E all your insides fall to pieces. you just sit there wishing you could still make love. B/F# A E E they're the ones who'll hate you when you think you've got the world all sussed out. B/F# A E E they're the ones who'll spit at you. you will be the one screaming out. B/F# A E E don't lead me high, don't lead me dry, B/F# A E E don't lead me high, don't lead me dry. B/F# A E E B/F# A E E B/F# A E E it's the best thing that you ever had. the best thing that you ever ever had. B/F# A E E it's the best thing that you ever had. the best thing that you had has gone away. B/F# A E E don't lead me high, don't lead me dry, B/F# A E E don't lead me high, don't lead me dry. B/F# A E E don't lead me high, B/F# A E don't lead me high, don't leave me dry. --- Solo: (on a single string) B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----2---4- B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0---------- --- intro,from: Stuart Winchester OK, The beginning part of this song isnt on the tab thats around. ns ns low E|---0---s----0---s----0---s----0----s---0-------------------- |---7---s---11---s----9---s---11----s---7-------------------- |---x---l----x---l----x---l----x----l---x-------------------- |---9---i---13---i---11---i---13----i---9-------------------- |---0---d----0---d----0---d----0----d---0-------------------- highE|---0---e----0---e----0---e----0----e---0-------------------- This needs a bit of explaining too. Where it says ns dont stop to play the chord at the fret. Carry on sliding down to the next chord. sslide:- Strum slide. Carry on strumming while sliding. I hope thats right. It dosent sound it though, I think something is done with the low E, but I dont know. --- another one, this from Tyler Todd: F#m11 Aadd9 E and F#m11 Aadd9 E A/E E A/E The A/E changes are very quick, but they are there. Just listen for them. The chords look like this. F#m11:2x4200 E:022100 Aadd9:577600 A/E:04x200 this chord is often substituted with Esus4:022200 The sliding octaves at the start actually look like this: x11x1300 slide to x9x1100 back to x11x1300 slide to x7x900 (strum in time, then add the low "E") 07x900 --- now here are the solos: at *2:50* F#m11:2x4200 Aadd9:577600 E:022100 1:--0-------0-------0-------0-0-------0-------0--------0-------0---------------- 2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2--------0---2-4-4-------------- 3:-------------------------------------------------4-4-----4-------------------- 4:------------------------------------------------------------------------------ 5:------------------------------------------------------------------------------ 6:------------------------------------------------------------------------------ F#m11:2x4200 Aadd9:577600 E:022100 1:--0-------0-------0-------0-0-------0-------0--------------------------------- 2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2------------------------------- 3:-------------------------------------------------4-4///////////1-------------- 4:------------------------------------------------------------------------------ 5:------------------------------------------------------------------------------ 6:------------------------------------------------------------------------------ Now at *3:33* F#m11:2x4200 Aadd9:577600 E:022100 1:--0-------0-------0---------0-------0----------------------------------------- 2:5---4-5-5---4-5-5---4-4-5/7---5-4-5---4-5-5-2-2------------------------------- 3:------------------------------------------------4-4-2-1-1--------------------- 4:------------------------------------------------------------------------------ 5:------------------------------------------------------------------------------ 6:------------------------------------------------------------------------------ F#m11:2x4200 Aadd9:577600 E:022100 1:--0-------0-------0-------0-------0-------0----------------------------------- 2:5---4-5-5---4-5-5---4-5-5---4-5-5---4-5-5---4-5--5-5-5-5-7-7-9-9-------------- 3:------------------------------------------------------------------------------ 4:------------------------------------------------------------------------------ 5:------------------------------------------------------------------------------ 6:------------------------------------------------------------------------------ Finally, the interesting bit at *3:54* F#m11:2x4200 Aadd9:577600 E:022100 1:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0--------12-------- 2:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0-----------0------ 3:14--14--13--14--13--11--9--13--14--14--14--14--13--11--9--11--11/13------14--- 4:------------------------------------------------------------------------------ 5:------------------------------------------------------------------------------ 6:------------------------------------------------------------------------------ (E:022100) F#m11:2x4200 Aadd9 E 1:-0-------0---0--0--0-0----0---0---0---0---0---0---0---0---0---0--0--0--------0 2:-0-------0---0--0--0---0--0---0---0---0---0---0---0---0---0---0--0--0--------0 3:11-h-13-11--11--9--9------9--11--13--13--14--14--13--14--13--11--9--1---2----1 4:------------------------------------------------------------------------2----2 5:------------------------------------------------------------------------0----2 6:-----------------------------------------------------------------------------0 h:hammer on ///////:gradual slide /:slide /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\ + Adrian Morse + + The Radiohead Guitar Archive @ No Alarms + + http://www.waterw.com/~amorse/radiohead/ + ++++++++++++++++++++++++++++++++++++++++++++++